Saturday, August 17, 2013

Making Marks

Thrilled to have both my artwork Entwined...


and my workshop DVD Easy Mixed Media Surface Techniques...


highlighted by Interweave on the Cloth Paper Scissor site. 

And congratulations to Helen Parrott on her newly released book Mark Making: Fresh Inspiration for Quilt and Fiber Artists...


Friday, August 16, 2013

Real or Fake?

In the spirit of reality television, game shows, and just plain fun, I present Real or Fake?

Below you will find ten abstract images that I have photographed. Eight of them are found photos, randomly shot in NYC. Two of them are details from gallery artwork. Can you tell the difference?

Study the images, make a guess, and leave a comment that includes the numbers of the two images that you think have come from artwork I saw in two high profile, New York galleries. The correct answers will be posted next week.

One

Two

Three

Four

Five

Six

Seven

Eight

Nine


Ten

Wednesday, August 14, 2013

The Key


Today's mixed media artwork and tutorial was inspired by one of the vintage keys in my collection.


I started out by choosing some hand painted paper that I had previously made using pages from a vintage French dictionary as the substrate.


I have been noticing nailhead design everywhere and wanted to capture the look for this piece. I knew I wanted to use metallic brads to do this.


I looked through my supply of the newly released Spellbinders dies and found the perfect fit: Pearl Effects. I cut a piece of my hand painted paper using a die from the set.


I dug through more hand painted watercolor papers and found a darker piece that I knew would contrast well with the light amber paper I had already chosen. I cut the darker paper with a die from the A2 Curved Matting Basics B set.


Then I started glueing.


Using an awl, I punched small holes through each open circle at the edge of the paper and inserted the brads though each hole, matching the size of the brad with the size of the open circle.


Got the nailhead look I wanted.


This is what the flip side of the piece looked like with all the brad prongs folded down.


Knowing that I wanted to attach this piece to another layer and realizing that the prongs would make glueing difficult, I added a small piece of book board to the center area. That way, I could easily glue the piece to another substrate and add some dimensional life at the same time.


I cut a piece of metal foil using a smaller die from the A2 Curved Matting Basics B set.


I knew I wanted to add texture to this piece and found the perfect match for this artwork: Spellbinders new Keys Texture Plate. I ran these through the Artisan X-plorer machine to add the embossed detail.


I just loved how deep the embossing is with this technique.


I added more depth and texture to this piece by rubbing a black solvent ink pad over the surface and around the edges using a craft sponge.


Using the A2 Curved Matting Basics B set one more time, I cut a slightly larger piece of black card stock and edged it with a gold metallic ink pad.


More glueing.


I looked through my stash of loose vintage book covers and found one that I thought would be the perfect base layer for the piece. Using a guillotine cutter, I cut it to size. I distressed the edges using sandpaper.


Now comes the fun part. I put together all the layers using adhesive to create my finished piece: The Key.







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Supply List

Spellbinders Paper Art Supplies:

MMM-001 Spellbinders® Artisan X-plorer
MT1-009 Spellbinders® Keys Texture Plate
S5-172 Spellbinders® Nestabilities® A2 Curved Matting Basics B
S5-194 Spellbinders® Nestabilities® Pearl Effects
F-102 Spellbinders® Precious Metals Premium Craft Foils

Preferred Promotional Partners: Tsukineko StazOn Ink Pad, Tsukineko Delicata Ink Pad, Imagine Crafts Inkblushers Sponge

Other: card stock, book board, vintage book cover, hand painted paper (watercolor paper, vintage dictionary page, gesso, acrylic paint, acrylic medium, ink), vintage key, brads, adhesive, sandpaper, awl, guillotine cutter 

Friday, August 9, 2013

2014 Workshops: Part 1

With still almost five months left in 2013, I have already begun to fill up 2014 with workshops. So far, I have plans to teach in New York, Connecticut, North Carolina, California and Maryland in the USA. And I am going international too, with classes scheduled in Mexico and Australia. Details are still being worked out for the majority of these and there will be many more stops added to the list as I continue to plan.

I wanted to share details of my west coast trip that will be taking place in February 2014 and make special note of the fact that registration will open next week for one of my workshops, as noted below.


February 1-2 - San Diego Book Arts - San Diego, California

Mixed Media Memoire - 2-day workshop: registration pending

February 4-5 - Long Beach, California
If Walls Could Talk, 2-day collaborative workshop with Orly Avineri: workshop full

February 7 - Guilding the Lily - Fullerton, California

Background Check: registration open

February 8-9 - Redondo Beach, California
If Walls Could Talk, 2-day collaborative workshop with Orly Avineri: workshop full

February 12 - Todos Santos, South Baja, Mexico
1-day workshop, details to be announced: registration pending

February 13-14 - Todos Santos, South Baja, Mexico
2-day workshop, details to be announced: registration pending

Stay tuned for additional workshops soon to be scheduled. And click on the Workshop Tab under the blog header to see the remaining workshops on my 2013 schedule as well.

Friday, August 2, 2013

Art Unraveled: My Workshops

Mixed Media Dossier

Class in Session

Work in Progress

Dossiers Delivered









For Your Eyes Only

Yearbook Picture

Work in Progress

Birthing Books!




Messy worktable equals great art!

Text Tiles

12 panels and 6 happy artists!


Work in Progress


All You Need...from Amy!

 
With Angel.

With Don.

 Happy brushes!