Monday, August 25, 2008

The Pulse: Show & Tell 2

Welcome to the third edition of The Pulse: an artist survey. This collaborative project aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. For links to the sites of the participating artists, please click here.


Today's question: Show and Tell. SHOW us one photograph of the object or objects that you collect and TELL us how your collection(s) came to be and/or what they mean to you. Feel free to include any anecdote about how you might have found/bought any of your treasures. The following is the second of four posts to answer this question.



Suzan Buckner Collections--that's a huge ball of wax with me. When my husband met me, I had 40 large collections--(old tin toys, pyrex mixing bowl sets, anthropomorphic salt and pepper shakers, prim dolls, cows, pigs, antique kitchen utensils, feedsack quilts--over 100!, anything catholic, the list was endless). I collected everything. Since then, I have sold them all off, except one. I still collect small ceramic dolls--they use to be called 'penny dolls'. I have a box somewhere of about 100+ of them. The little shelf that I am showing is probably my favorite thing in the world. It makes me happy everytime that I look at it.

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Teesha Moore I collect odd little "things". I have included 2 pictures of some collections of "things" in my house. As much as possible I love hanging all the little "things" and have several different spots around my house to do so. They came about because people would give me small handmade things that would sit in a drawer. And I would make weird little things out of this and that. Together they make quite something to look at.

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Traci Huskamp Since my medium of choice is mixed media, I have many collections of different things. But two of my absolute favorites are boxes, but not just any ol' boxes. They have to be cool, grungy, vintage and I especially love finding groupings of them. I also collect bird’s nests, the smaller the better. I cannot get enough of tiny nests... I have them tucked into little vignettes all over the house.

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Nina Bagley i began collecting heart rocks as a little girl when my father once brought one to me that he had found on the ground. now both of my boys bring them to me from the far corners of the earth - peru, turkey, china, every part of the united states. i look for them on every pebble beach i visit - new zealand, australia, here in my own "backyard". the fact that they are a free souvenir makes them all the more collectible, but i think that what appeals to me is their basic, earthy rock form combined with sentiment, with emotion.

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Harry Bell I've never been one for collecting objects much, but for most of my life I've been a book collector. Not a completist, just someone who amasses books. I started with science fiction, then books of cartoons, followed by art books, without ever finding a need to dispose of previous obsessions. I stopped going to libraries when my own became more inclusive than theirs. The photo shows a very small part of my collection; there's more in other parts of the house and in boxes, unopened since I moved here 15 years ago.

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Vivian Bonder When I read this question, my first response was that I don't really collect anything… However, looking around my work space I noticed some pretty obvious pieces… which made me realize I collect all sorts of metal parts, from bicycle wheels to key plates, from large rusty hooks to keys and locks. I love going to the dump and op shops to find treasures, sometimes I've got absolutely no idea what the functionality is or has been of these items but I just like the shape.

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Leighanna Light I've always loved books & it seems like I've always collected them. Once I learned that I could break the rules & tear them up, my collecting grew into an obsession! My neighbor can't stand watching me do this, she's a retired english teacher & it absolutely kills her! I love the feel of an old worn leather cover, the texture of the old pages, & I often use book parts in my work.



I am also drawn to door parts for some reason, hinges, knobs, the pretty little plates that go over the knobs.



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Cory Celaya I am a collector of “stuff”. Stuff to collage, stuff to assemble, and mainly stuff to recycle into redesigned jewelry. I buy and beg for old jewelry that I can pull apart and redesign the components into “new” jewelry or embellishments. Gifts of old jewelry is better than chocolates anytime. The photo is a mish mash of "stuff" that I collect...old jewelry, buttons, beads and found bits and pieces of other stuff. I try to sort and stack in some kind of order, but this is what it all looks like when I work. A disaster but it works for me.

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not mass produced i collect lots of things - vintage fabric, vintage tins, old printing sets, fifties and sixties fabric, kitsch and quirky stuff (i love these old hair slides and the card they are on), art, zines, books and I'm having trouble stopping myself collecting cabinets at the moment (i justify this by telling myself that i need all these items as props for my craft stall!). a couple of months ago a friend said to me that she'd been to a salvage yard and saw something that I'd love. It was an old wheel chair which still had the false leg (complete with sock and shoe) of the previous owner attached to it!

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Leslie Marsh I started collecting old tins and boxes years ago -- before I ever considered using them in art. I have always been drawn to the vintage advertising and labels. When I started collecting old bits and pieces to use in art projects, I discovered that the boxes were a wonderful place to store the things I collected. For instance, on this shelf there on boxes that contain charms, old jewelry, aged copper tape, bits of metal and watch parts, and even one that contains found insect wings! I have old and new cigar boxes. The new ones are easier to part with, so often I dress them up and use them as mail art.

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Megan Barron I love books, airmail labels, p-seals, tin lithographed objects, bingo cards, handpainted signs, typewriter & needle tins, photographs (especially found or yard-sale ones), paper goods, notebooks, vintage electric fans, field guides, engravings, arrowheads, letterpress—all of which are examples of great design. To say these objects are inspirational is an understatement. Beachcombing is a passion, & one favorite category of finds is ceramic bits (some of which are shown in the photo).

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Ro Bruhn I collect all sorts of things from beads, to art materials to old china for mosaics, yarns and textiles, but my favourite would have to be 'the found objects' for my jewellery. I find so much of it in charity shops, people's sheds, car parks and now have people collecting and saving things for me. My daughters are dreading when I finely leave this world and they're left to sort it out, but their husbands are both my best suppliers, great sons-in-law, I've trained them well. It's become a competition who can find me the best junk. One turned up with an old anchor, not to be out done the other turned up with an old plough. Needless to say they ended up in the garden and not around someone's neck.

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Steph Bouwers Well, I am a collector, I am a magpie. I collect a lot of different things: bones, african art, antique ethnic jewelry, old books, beads, pebbles, rusty things ... I love old things, things that have lived many lives, things that have travelled many miles, things with scars, with wounds ... But I wouldn’t be sorry if I’d lose them ... I’m their keeper, not their owner .. they are with me now but they might not be tomorrow ... and this is what life is all about ..

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Dawn Sokol I don't really collect things...just papers, and family photos...

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Bridgette Guerzon Mills I have all sorts of little collections, but my most treasured collection and one that I will pass on to future generations is the one of huipiles from Guatemala. A huipil is a garment that is worn by the indigenous people of Guatemala. These top garments are handwoven and if one is familiar enough with the different towns and villages, you can identify where the huipil comes from by the symbols and the stitches. My mother's family all live in Guatemala City and I have very fond memories of visiting my family there. These textiles are not only beautiful handwoven works but markers of the rich cultural heritage on my mother's side. I have also started to collect some beautiful woven textiles from the Philippines, which is where my father is from. This huipil in the photo is from an area called Aguas Calientes, or Hot Waters. My eldest aunt, the matriarch of the family, has collected huipils from all over Guatemala since she was a young woman and this one was among my aunt's most prized huipils. I feel honored that she gifted it to me.

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Jennifer Gordon I collect lots of things, comics, comic art, mini busts of my favorite comic characters (wow, I sound like such a geek), vintage Nancy Drew books...but my favorite thing to collect is vintage letters, I just love the old text.This started about 8 years ago after my father passed away and I inherited a small stack of old letters he had. It was then that I just fell into that world of letters, and it was then that I started using the old text in my work as well. I prefer letters that are very old or in foreign languages because it adds more mystery to what is in them and allows me to make up whatever story I want to about them.

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James Michael Starr I realize that I'm fudging a bit by submitting an image of a finished piece, but rather than just show an object, I wanted to also touch on how I SEE the objects that I collect when I first select them. This 2-foot tall sculpture is one I finished a couple weeks ago, so it is timely in revealing my current mental process. The cylindrical wooden item on top is a factory mold, one of those beautifully aged forms once used in the manufacture of industrial parts, and the "legs" are long strips of steel or maybe iron. The former is from a terrific antique store in Austin called Uncommon Objects, and I suppose I respond to irresistible things like that just as would most artists working with old materials. But more to the point are the metal legs. These I found in an old rail yard, the location for a light rail station under construction in a suburb of Dallas. I won the commission to do public art for this project, and in my on-site search for found objects to be used in my design, I found many other items too large to be utilized in the commission and so asked for permission to keep them for my other work. These strips caught my eye for their ambiguous qualities: they are thin and spindly but very strong; they look like the stroke of a charcoal pencil, but are so rigid and sharp they can easily cut the skin: they are irregular and somewhat organic in appearance, and yet they are man-made and in a material that we most often encounter in geometric shapes. I have no idea how they were made, except that their one rough edge seems to suggest they're the by-product of a casting process of some sort, because it looks like molten metal that has cooled. These contradictory characteristics are ones I now seek out in materials I look for on the station site, in scrap metal yards and pretty much everywhere I go, to juxtapose with the aged, manufactured things I've always collected. And perhaps most importantly, I'm learning to go with the image they first spark in my mind: the metal strips seemed to insist on being the wobbly supports of some elevated structure or being, and the factory mold wanted to be something with a soul, and very different from its original role of a tool in the making of other more useful things.

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Angela Rockett I used to collect a lot off things, but over the years most of them lost their meaning and became dust-collectors. The only thing I really collect anymore are Maneki Neko - the cat figurine you'll often see in Asian stores and restaurants with its paw raised up. It's welcoming good fortune, and there are lots of different meanings attached to it depending on which paw is raised and what color the cat is. They're really easy to find, actually, but I try to get unusual ones. I did an Illustration Friday post about it last year - http://ryhopewood.blogspot.com/2007/04/illustration-friday-fortune.html

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Kathy Wasilewski Aside from every shoppers paradise in collecting supplies, I love to collect artwork from other artists. Most of the artwork that I have collected has been traded or received in personal swaps; however, I have gladly paid the price for any artist's work if it is something that I want to add to my collection. I am surrounded by other artist's work on every wall or tabletop in my home. Being an artist, I am inspired by the artwork of others and love to proudly display it in my home. Since my collection grows larger each day, I recently purchased a decorative manakin which I placed in my art studio and use to display some of the smaller pieces. I value each piece of artwork that I own and refer to them often for inspiration.

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Sue Pieper Unfortunately, I seem to collect a lot of "stuff", using the excuse of just in case, or I may never find it again, I'm sure you've heard them all. The one collection that I keep out to see all the time are handmade purses-they all hang on a wall in my studio. Considering the fact that I can't sew, I respect those that do and display those purses proudly, and secretly hope that if I look and touch them enough, I'll absorb some of that skill needed to make them by osmosis:) The other thing that I always buy at rummage sales or thrift shops are the old grungy fold up carpenters rulers. They remind me of my Dad, he was a home builder on the side, and always used those rulers. Finding one of those old rulers just makes my day!

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Linda Woods I collect the number 3. It's my lucky number. I always look for little pieces of art with the number 3 on it or signs with the number 3. I always want to surround myself with luck. Some people always want number one. I am good being three. I am happy being three. I am the third child (with three siblings), born in the 3rd month around 3 in the afternoon. I like three.

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Kelly Kilmer My husband, son and I are book nuts. A "day out" often means at least one visit to a local bookstore (we love used and independent stores). The walls of our apartment are lined with bookshelves. I'll buy books over new clothes any day!! (Luckily my Mom is a bargain shopper and loves buying my son clothes so we're set in that department-LOL!!!) I consider my books my treasures. I often will even print stuff out (if it's a very long article) rather then just looking at it over the internet. There's something to be said about holding paper in your hands. The thought of "reading" on a machine (like the kindle) scares the hell out of me. I've loved curling up with a book ever since I was little. I can't imagine a world without books or paper.

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Maralena Howard I collected Milk Glass for over 20 years – and then suddenly – the thrill was gone. I wound up giving it all away to family. Now, I love hand thrown Pottery. I wish I could afford to buy a lot more than I have. I love the different styles and glazes. Even the failed pieces are cool.



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Saturday, August 23, 2008

The Pulse: Show & Tell 1

Welcome to the third edition of The Pulse: an artist survey. This collaborative project aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. For links to the sites of the participating artists, please click here.


Today's question: Show and Tell. SHOW us one photograph of the object or objects that you collect and TELL us how your collection(s) came to be and/or what they mean to you. Feel free to include any anecdote about how you might have found/bought any of your treasures. The following is the first of four posts to answer this question.




Ingrid Dijkers It would have to be my marble collection I have had since shortly after my parents and I immigrated from the Netherlands. My parents had taken me to the beach to play for the day. I was fascinated by 2 teenage girls throwing buckets full of marbles off a little dock. After they left my father and I collected as many as we could, sharing each of our finds. Each being more beautiful than the last, they had such a magical quality. I never really played typical marble games with them, I just enjoyed looking at them. I loved the colors and swirls captured in the glass and the way light went through the marbles. I still have them all and still wonder how those girls came to acquire so many marbles and why they would throw them into the water.

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Kristy Christopherson I am fanatical for old letters. I am fascinated by their history, and the beautiful color and character they each have. I started using them in my collages-originals, and always loved the beautiful handwriting. Even though I have quite a few in my collection now, I now tend to use photocopies of them in my work rather than originals, so that I can keep using them. I find them everywhere-flea markets, antique stores and ebay.

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Jen Bradford Although I gather objects like rocks & feathers, my biggest collection is a library of images of all sorts. (Above, a microscopic pic of volvox, for example.) I am always adding to my pile of flickr favorites, and then assembling them into groups. (mosaics that all have fine lines, or birds, or a particular color...) and have files of images torn from magazines and saved for many years.
http://flickr.com/photos/jenbradford/sets/72157603855498294/
I also collect color swatches every time I go to a paint store.
http://flickr.com/photos/jenbradford/2385697481/in/set-72157603684461480/

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Lisa Hoffman I have a shameless collection of Designer Vinyl Toys. I think that my attention was riveted to these little works of art when I was treated to a dinner at the home of fellow True Colorist: Keely Barham. She had converted her entire California living room into one huge studio, filled with these cool little creations living amongst her other tools and supplies. You can grab one of these “toys” at places like Urban Outfitters for $5. A great, affordable addiction. The endless designs from cutting edge graphics and stencil artists just makes me happy.

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Gwen Buchanan this is from a posting I did, incidentally called, "Treasures"

High tide wrack lines...
Treasures from the Sea...
Bleached by the sun...
Gathered from the shore...
Sitting in a shell...
Beauty on my windowsill...

Atlantic Rock Crabs... Cancer irroratus... marine arthropod... crustacean class... grow up to 13 cm. or 5¼" across the carapace, the crabs thick defensive shield... A body enclosed in an armor casing of tough protein called Chitin... This exoskeleton must be periodically shed to permit growth... Found in intertidal and subtidal waters... on rocky and sandy seashores... among kelp beds... Carapace varies in color from red to purple.... underside is pale white/gray to yellowish... I love their still delicacy now, in this state, as opposed to their strength when they were alive, housing their life-giving organs, as the ocean crashed around them.

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Jonna Barnett Rocks. My great-grandfather was a rock hound. He had a shop out behind his house where he all of his equipment for polishing rocks. And he had tons and tons of rocks. I can remember going out into his shop and being mesmerized by all the shiny colorful rocks that were everywhere. I often wonder what happened to all of his collection as we only got a handful when he passed away. A few years ago a friend of mine bought a place and the gentleman who had lived there before had been a rock hound. There were rocks all over the place, nice big hunks but none had been polished. She was going to take them off to the dump.....I saved them. You can find them peeking out of my flower beds, in my potted plants in the house and scattered around the house. And whenever I pick one up I always think of my great-grandfather and his shop.

I have rocks from all over the world. When friends and relatives go on vacation and ask if there is anything I want them to bring me I always ask them to find a cool looking or unusual rock to bring back for me. Some of them give me strange looks but they usually bring me back some pretty cool looking rock. My favorite is the one my daughter brought back from her first trip to Japan. She found it on the beach and it sits on my bathroom counter where I can see it every day.

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Robyn Gordon I love Ethiopian artifacts and I think this love for anything Ethiopian started with a very old shield which is in my collection. It was brought back to South Africa by a soldier who was stationed in Ethiopia during the Second World War. It was given to my mother who eventually gave it to me. As a child I was fascinated by its conical shape and all the engraved metal embellishments. (I actually thought it was a hat). The fact that it is made out of tough hippopotamus hide made it all the more exciting. I love the coptic crosses in my collection. The ones with hollow bases were used mounted on staffs during processionals and the others are hand held crosses. The baskets made in Ethiopia are unique to that country. Woven, covered in leather and embellished with metal beadwork with leather straps for carrying.

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Kim Logan Show and Tell......well, I have a weird collection of dividers..!!!...All I can say is its a graphic design thing..lol..!!! (photo attached) I love them, and I know some assemblage artists use them in their pieces, but for me they are graphically perfect..!!!

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grrl+dog uhm.. I collect vintage sex and medical books and things. I have my grandmothers sex book that was given to her in early last century by my great grandmother and the things in there crack me up. I have about 5 books on "marriage" throughout the last one hundred years and they are fascinating. It shows where our heads were and how we interpret stuff. Also explains why so many of us are so messed up on the subject. Maybe it was my sterile slide show of chickens and eggs at the local church at age 11 that did it. I honestly had no clue till the age of 15 or so. I also collect vintage post mortem photos...maybe because my grandparents had so many blue babies and they died. That was one thing the sex book didnt tell them.

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Deana Hager I love to go out looking for antiques and vintage items. I try to go out "hunting" at least once a week.








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Karen Cole As a painting major in college, I was always eager to go to the art supply store and check out the brushes. The sizes, shapes and material from which they were made, has always been exciting for me. Since then, I have been a brush "gatherer". All kinds. Old house painting brushes for assemblage, vintage hair brushes, artist brushes, cleaning brushes. New York Central Art Supply, has an amazing assortment of artist brushes, some hundreds of dollars and imported, that I covet. My birthday is in February, BTW.

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Nancy Baumiller I collect a variety of things! I do have a fun collection of Pez dispensers but at the moment the one that is standing out and enjoying is my Vintage valentine collection! I love the colors and sweetness of them!

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Elizabeth Bunsen Well I am a collector of many things: ledgers, seed pods, pine cones, cashmere sweaters, rusty bottle caps... but it is my rock collection that speaks to me most deeply - stripeys, river rocks, herkimer diamonds, tumbled beach stones, hollow holy stones, moldevite, blue opal... the list is endless - but my favorites are those I find regularly at the beach and on various adventures - the stripeys, the heart shaped stones and the river rocks. Here is a little story: one of my earliest memories is being a little girl of about 8 in Lodgepole NE - I would walk out to the water tower a long walk far behind our house and sit down in the sun, find a smooth sun warmed stone and rub it on my upper lip relishing in the sensual warmth and smoothness of that rock - tuck it into my pocket and bring it home. Click here to see more of this collection.

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David Castle I love to paint on the northern Oregon Coast in a special, sleepy place where polished agates wash up on the beach like little jewels. I initially started my agate collection because I simply couldn’t walk the beach without picking them up. I then discovered that they make great painting tools – I place them in wet puddles of watercolor paint to create wonderful shapes for my “fossils” paintings.

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Stephanie Mcatee I really don’t collect anything in particular. Art elements maybe-? Unposed black and white pics of my family that I have taken and hung throughout my house… even if it’s stuck in the wall with a straight pin! Just random.

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Gail Pierce I have the usual collections of art books, magazines, and supplies including a collection of alphabet rubber stamps that I had to have and rarely use, but it’s the mugs, vases and baskets full of brushes that come with a story. When my father died in 1999 I inherited tubes of oil and acrylic paints along with the brushes that he had used for decades. I can’t seem to use them; after all, they’re irreplaceable. Maybe my penchant for collecting brushes is in response to the frugality my father had when it came to his supplies, he only acquired a new one when gifted.

Around the time of my father’s death, not unexpected, was when I started experimenting with mediums to replace the darkroom work I could no longer do. (Chemical sensitivity was the result of being unaware of the dangers of photography chemicals that should have been handled with gloves and a mask). Decorative painting was the first thing I tried, but not being one to follow patterns, recipes or directions that lasted about a minute. A different brush was required for different painting strokes. An interest in watercolors followed and of course more brushes; watercolors aren’t my thing either. Then acrylics; I couldn’t use the precious watercolor brushes, so more brushes were purchased. Speaking of precious, while packing to move from the Monterey Peninsula to the desert near Palm Springs two years ago I discovered a box of brushes I had purchased years before because they looked interesting; big thick brushes with beautiful handles. Collage requires brushes for gel mediums and those to my way of thinking should be of the disposable kind which led to a collection of cheap brushes from hardware stores. And then there are foam brushes, spatulas, spreaders, and brayers that are necessary for texture.

What brushes are my favorites? The cheap under a dollar natural bristle variety are the ones I always reach for when I start a painting along with a brayer and one of dad’s brushes for luck!

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Jen Worden I have this thing about bones. I'm not sure where it came from but seeing the skeletal structure of birds and animals, so fragile and yet so very, very strong, touches something deep within me. I feel compelled to surround myself with them. Luckily I have an amazing source that gifts me with more than I will ever be able to thank him for. I also love the castoffs of others. Most often rusty bits that have fallen alongside the road or end up in the ditch. Occasionally, shiny bits that I discover on a beach walk.

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Jessica Gonacha I've sort-of started collecting Ganesh/Buddha figures by default-- I've gotten several as birthday presents, the funniest being this large gold one that my brother bought in Amsterdam and lugged back for me. Now he buys me one every year! I even had one show up sitting on my mailbox one day, just sitting there waiting for me to take it inside. It's still a mystery where it came form.



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Judy Wise I collect "drizzly stones". These are smooth, cloudy stones the color of the skies on Manzanita Beach where I used to have a home. It always rained there and I loved the moody sea. I would walk the sands and collect these stones in my pockets and then sort them out each night only keeping the magical ones. So that the ones I have now were collected nearly 30 years ago and they are very powerful.

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Binky Bergsman Right now I am attracted to empty boxes. They will be used in an assemblage of some kind, some day. I love the wooden one with the hole in the front. That piece slides up to view the insides. It will be an homage to Joseph Cornell.

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Mistie Jordan As an assemblage/collage artist, I think this is a dangerous question because I could link a story to every piece I have. (laugh) I collect little metal things that are rusted, doll heads, things off the street, small dolls, buckles, snaps, paper, lace and fabric. My biggest collection however is buttons. My great-grandmother was the creator of things in my family and she passed that “need” to me. She taught me how to make so many things. And she had zillions of buttons. Just all over the place in jars and cups and tins. I have never been able to shake the necessity of having them everywhere myself. I have lots of them and people keep bringing them to me all the time. I’ve had little “collections” of things as long as I can remember. Family members would bring me things that were aunt so and so’s etc. I was (am) the family pack-rat. Friends bring me items even now. My girlfriend was in an auto accident recently and she collected the little pieces from her car when they swept them up and brought them to me. She said she figured I’d do something interesting with them.

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Sally Turlington Are you kidding me? What do I collect? What do I NOT collect? Let me just say that I collect mixed media supplies . . . that is to say EVERYTHING! Most precious to me are found and acquired objects - especially metal ones, paper scraps, cigar boxes, beads and charms, graphic arts and clip art books, vintage jewelry, current craft and art magazines, Communication Arts Magazines. This photo doesn't even show you the countless other things I collect -- like art books, dolls and statues, paints, brushes, decorative and handmade paper, paper company samples, storage containers, and on and on. I've been collecting for my varied art making interests for about 15 years. A few years back, I thought I might like to add on to my studio but came to the conclusion that I would than just fill up the new space, too. So I've made a conscious effort since then to STOP collecting. Yeah, right. Ask my friends! LOL. As a compulsive personality, sometimes I think I'm a collector rather than an artist. At any rate you could classify me as a pack rat extraordinaire!

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Lisa Call I love rocks and collect them when hiking, on the beach, from my yard, etc. There is something about their solidness and shape that really appeals to me. I have rocks in bowls and on shelves all over my house. I believe the ones in this image are from New Zealand. Yes I flew home with a suitcase full of rocks after a 5 month sabbatical to that country in 2001, they got great rocks, or at least they did until I collected them.

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Friday, August 22, 2008

The Pulse: Style File 4

Welcome to the third edition of The Pulse: an artist survey. This collaborative project aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. For links to the sites of the participating artists, please click here.


Today's question: In a few words or a few sentences, how would you describe your artistic style? The following is the last of four posts to answer this question.


Judy Wilkenfeld My artistic style has to be fluid, meaning the style is dependent on the type of Visual Anthology™ I am telling. It can certainly be termed eclectic mixed with some grunge yet with my use of fabrics and textures I try to take some of the harshness out of it. If you are looking for one word then maybe “psychotic” would be the answer as I like to blend the harsh with the soft, the simplistic with the highly detailed, the static with the fluid – a true reflection of the lives of those I am trying to tell the story of.

Judy Wise I really try to draw as well as I can and it comes out as 'style'. The magic is that I really can't draw very well but I accept that; it's unique.

Kelly Kilmer Fun. Free. Open. Honest. True. Real. Me.

Sarah Fishburn motley, polychromic, tender

Roxanne Stout How to describe my style? Such a hard question...In college I majored in Biological Illustration and I loved details, the tinier the better; stippling, cross-hatching and my super sharp ink pens. Now I still love nature but am much more impressionistic. I am always trying to loosen up, relax and paint or create more from my heart. Sometimes I squeeze and blend my paints right on my canvas and work fast and obsessively using large messy paint brushes, other times you can find me sketching and painting birds or plants with my watercolors and tiny brushes. Like many other artists, I love to use paint brushes that were passed down from my mother. She was a painter too, and I hope some of her talent and ability to capture beauty has passed down to me.

Kelly Parker I made up my own movement/style for this…LOL, I like to use bright colors and simple compositions for all my work and they are generally created on a square or rectangular base, so I call it Expressionistic Minimalism. I have been toying with the idea to use only squares for my next set of work. I just finished a series of 5 titled “Poppies” on 8” by 8” stretched canvas. I like working smaller and square, so I want to explore this avenue a bit further.

Kathy Wasilewski I love working with vintage images and elements, incorporating such items as rusted metal, vintage lace, and soft colors. A friend of mine once termed my artwork as "time-worn elegance", and I have deemed that term as the ideal way to describe my work.

Linda Woods My style changes with my mood! My art is really a mixed media story of my life told with images, bold dripping color, and words.

Roben-Marie Smith This have been changing lately as I have been trying my hand at digital art. I find that I have been enjoying scanning my altered work into PhotoShop and then digitally creating something totally new. I even decided to go back to school and take some digital design classes to further this pursuit.

Sally Turlington Style? I have style? Thanks for the vote of confidence, Seth. As far as I'm concerned I'm still honing a definite style. My friends say they know when a piece of art is mine, but for the life of me, I don't know how they could. Someone once called my work "clever and thought provoking." If only it were always that, I'd take it! As far as a type of art, I do like to make grunge better than pretty and conglomerated better than simple but always, always, I want it to have at least a twist of humor or irony or make a point, teach a lesson, or in some way make a difference to the viewer.

Valerie Foster Well, it's hard for me to describe or pin it down. I'm sure I have my own, individual style, but putting it into words is difficult. I think I would use two words -- very textural and serendipitous. I majorly LOVE texture, and I rarely plan out my work in advance. So I never know what it will end up looking like, and quite often, the end result surprises even me. Most times I'm pleased, but sometimes, not so much! I love using different techniques, bold colors, and lots of different items in my art. Such as: fabric, fibers, all kinds of papers, rusted items, found items, and unusual embellishments. Also, I love using caulk, wallboard joint compound, and spackle for great texture. I try to use supplies and items not meant for art. It's kind of a challenge to me, that I enjoy experimenting with.

Sue Pieper Layered, textured, colorful. When doing collage work, the backgrounds typically have about a dozen layers to build up a history which will lead me to what image to use, and the story evolves from there. I really have to just let it happen, no matter what I plan in my head, what lands on the canvas seems to have a mind of it's own. But in the end, it all has to make sense-I won't add anything if it doesn't add to either the composition of the piece, or the story that it's telling. When making jewelry, it's all about technique in making something that will last, both in style and material. The design can be tricky as my necklaces are almost always asymmetrical, and have run into a few engineering issues because of that-it's all good though as it gives me a chance to learn something. Learning to make & design jewelry was a real challenge for me, so I don't take it lightly. I'm proud of the fact that I can do it, and I won't make anything that I wouldn't wear myself. In fact, I almost always wear each necklace for at least a few hours to make sure all is right with it in both comfort & construction.

Binky Bergsman I like to take everything down to it’s most basic element. The simple shapes are what I like.

Mistie Jordan I love anything old. It pulls me like a magnet. No matter what I’m creating with or what the end result is, I have to convey some sense of history with what I’ve done. Or I need to make it look like it does. This usually includes words in some why as well, so I guess I’m rather narrative too. Okay, so a few words…collage, layers, rust and fabric pulled together to create a sense of history of some kind.

Stephanie Mcatee I love this question, and am asked it a lot! and my answer is this:edgy, not pretty, raw, realistic, deep, passionate; mystic.

Gina Petterson Bohemian eclectic. I haven't had an art class, I don't understand composition or coloring. I got started scrapbooking as a teen preserving photos of The Jackson 5, Osmond Brothers and David Cassidy. Later on, I began to use real items as embellishments ( concert ticket stubs, prom corsages and or buttons)... not the things that were archival or high on the agenda of some of the major scrapbook companies. Suddenly, I had an urge to work on just cardstock or a canvas.

Dina Wakley Organic, impulsive, messy, expressive.

Paul Sears I like to shoot what I see. Not a lot of setup, lighting, styling, etc. Being an advertising guy by day I see a lot of commercial photography, and I know how staged everything can get. For my personal work, I prefer to go a little more minimalist and just try and shoot it how I see it.

Kathleen Botsford I don't really know if I have a style. All of my art, jewelry included is inspired by my love of ancient cultures and spiritual traditions of every kind. I weave elements of sacred geometry, numerology and astrology into my work as well as symbology and mythology. Lot's of ologies huh? I am devoted to the Blessed Mother in all of Her many forms and guises. I rely most heavily on this connection to the Divine Feminine in most all of my work.

Lisa Call Modernism meets abstract expressionism in textiles

Lelainia Lloyd This is always such a tough question for me. I can never come up with a way to describe my work that I feel comfortable with. I think it has something to being too close to the work to see it as one thing or another. I suppose the hallmark of what I do is that the work is always balanced both in scale and colour and whenever possible, I am to honour my Canadian roots.

Kate Strickland Intuitive, organic, non-representational, emotive, spare. I strive to create work that is like a simple poem: economy of elements which are carefully assembled in a way that may evoke an emotional response yet be open to interpretation, and all the while celebrating beauty in the experience.

Trudi Sissons Style… I don’t know if I have a style. I create best intuitively. I am drawn to vivid colors, weathered textures and the grouping of disparate images. I usually sense an absence of words traveling through my mind when I get into it.

Kathy McCreedy I'm a fairly unimaginative sorter of tiny bits of chaos, which is readily apparent in my collage work. I make what appeals to me... try as I might, I can't get much deeper than that. Same goes for my calligraphy... I
make what I like. And if I don't like it, I cut it up or tear it up and use in
collage!

Kelsey O'Mullane This is a difficult question as I don’t particularly stick to a specific style. I do love odd, quirky, bizarre with a little bit of darkness thrown in for good measure but then a risqué or humorous quote might be just what a piece of work needs. I guess it depends more on my mood at the time as to whether I work with say “gothic” in mind or “renaissance style”. I like vintage though too….. I’m a Gemini and I like to think it’s the multiplicity of this personality that dictates my work. That’s my excuse anyway!

Lisa Dalke Free. I move the brush the way my arms tell me to...I often think I paint from the gut...Not sure what style that is.

Sarah Whitmire Hrm, this is hard because my styles change depending on my moods and audiences. Generally my style is vintage, feminine and rich.

Joanna Olson I'm inclined to say eclectic, experimental, (I work in oil, acrylic, watercolor, collage, traditional,landscapes, portraits and abstracts), feminine, colorful.....(in fact I'd like to try and stretch my other senses by trying something more restrained in the near future)......there's the experimental part of me trying to come out! I have always enjoyed working in a diversity of styles and with a variety of subjects, exploring painting techniques, always trying to find an appropriate way of expressing the feeling that attracted me to a subject.

Doreen Grozinger I love color and tend to work with bold and bright color. My painting style leans towards the surreal and love symbolism in my work. I also love to experiment, using a variety of mediums in my work… For now, my passion is working with a pigma pen and twinkling H2O's. In whatever medium I am using, I love to bring some message or inspiration to the viewer. I feel art to be an easy way to communicate. I am a mural artist, and therefore love to paint big, but in the last few years, I’ve developed a love for working small as well. My style, whether large or small usually has a lot of detail to it.

Seth Apter My style is infused with texture, layers, and depth. I try to create pieces with a sense of their own personal history, often weathered by time, distressed and imperfect. I find inspiration in uncovering and revealing the details of the story.

Thursday, August 21, 2008

The Pulse: Style File 3

Welcome to the third edition of The Pulse: an artist survey. This collaborative project aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. For links to the sites of the participating artists, please click here.


Today's question:In a few words or a few sentences, how would you describe your artistic style? The following is the third of four posts to answer this question.


Marie Otero I laboured over this question a lot and also asked my husband how he would describe my style...he was kind enough NOT to say ' you are all over the place dear', though at times that is the truth. I like to experiment with different styles of art so I guess on one hand there is the "Romantic Realist" and on the other the "Contemporary Surrealist"

Jonna Barnett A friend calls it Funky Folk Art, But I also do abstract.

Kim Logan My artistic style I would say is ‘eclectic vintage’ using layers. Its always hard to describe ones own work, I’m not actually convinced I have a right to call myself an ‘artist’, I do agonise over that one..!!..I ‘play’ with art and collage and sometimes I like what I have done, but really by profession I am a graphic designer and derive my income from that, so can truthfully call myself a ‘graphic designer’, just not sure on ‘artist’. Maybe once I sell something I have done under the ‘collage artist’ heading I can say I am an artist..!!

Deana Hager Eclectic, as I tend to go with my moods. I have to do a project the moment it comes into my head or it tends to get lost and never comes to be.

Karen Cole I am not a planner. No sketching, measuring or studies. I come up with an idea, grab some supplies and mess around. "Mixed up" media, as opposed to mixed media. Sometimes I draw or paint, sometimes copper tooling, sometimes mosaics or glass, sometimes jewelry.....sometimes I mix it all together. At the moment, I am into recycling my old work, by photographing it, printing it out and using the photos in different ways.

Bridgette Guerzon Mills My artistic style incorporates my photographs and paint or encaustics to create organic pieces that speak to the cycles of life, memory and the passage of time. I enjoy creating multilayered surfaces that invites both the visual and tactile senses. My work has often been described as melancholic or evoking feelings of longing and stillness.

Ginny Carter Smallenburg I don't know if I have a "style". I love assemblage and collage and the layered look of those mediums. I also play with paint, experimenting and learning with a lighter hand and look. Maybe my style is "play".

grrl+dog Runs with scissors, colors outside the lines, paints with fingers, dunce cap/vintage/angel wing free art.

Max Ackerson Free and loose. I really like to work with black and white usually pen or pencil.

James Michael Starr Post-modern found-object sculpture and collage

Deryn Mentock Someone called my style of jewelry "techno-romantic" which I found interesting. Most of what I do, whatever the media, is a melding of materials and textures, old and new.

Leslie Marsh I love vintage and distressed materials, and I love repurposing bits and pieces into something appealing. I often see the world through a viewfinder, and I?m never sorry to have captured the wonders of my life in images.

Marilyn Gallas I can't say that I have a particular style. I'm really self-taught. The most important thing for me is color and texture. I love trying new techniques and I try out new ideas from Cloth Paper Scissors and Somerset Studio plus the many books I have purchased. I'm also influenced by others' blogs and websites. Great contributions are there from many different artists with different styles.

Nancy Baumiller Quirky! lol Fun and colorful! A combination of journaling and collage!

Marion Bockelmann As I´ve studied language and literature, most of my artwork uses words. Words are what inspires me most. I love to illustrate quotes or use poems in my artwork. I always hope that it´s thought-provoking and leaving great parts of the interpretation to the viewer. Most of my pieces tell a story or at least give a few hints to build up your own story. I don´t like things to be just decorative. And most of my pieces are quite colourful: well, yes, I like vintage style and earthy colours, BUT - I prefer my own things to be an eyecatcher, to be a bit weird, and I love some contrast.

Megan Barron To quote many other people when they see it: “So many details! So precise!”

Elizabeth Bunsen My artistic style has traveled all across the map over the years - at this point in time I would describe what I do as a rapturous raw eclectic documentation of the deep listening I am practicing - you may also toss in spontaneous and intuitive - at its best of course...

Sarah "Flo" Harris PLAYTIME: lots of red and purple and black - lots of stamping, mainly patterns - quirky characters with a story - dimension and texture.

David Castle I create unexpectedly vivid watermedia abstract paintings. I’ve developed my own painting techniques and make full use of paper, water, color, air, surface tension, gravity and stones to create each of my paintings.

Jessica GonachaMy style is quirky and colorful, I think. It reflects the way I see the world and thoughts that come into my head. I like to think that my work is fun and whimsical, but has a deeper thread running through it.

Jen Worden Dirt encrusted darkness with a side of wry humour.

Angela RockettEvocative, expressionistic

Maralena Howard Minimal - Abstract in the public’s eye – yet personally I see it on a more defined level. Minimal in that there are not a lot of blatant distractions going on. Abstract in that much of my work is left to the eye of the beholder to define. I think that some who are not normally attracted to abstract (perhaps it struck cord of dis-ease in them) often find that they can sit with my paintings/art and actually feel comfortable. They can be at peace with them and not grow easily tired, distracted or disenchanted. I like to think of it as “Tight, balanced, longstanding and absolute. Healing art.”

Wednesday, August 20, 2008

The Pulse: Style File 2

Welcome to the third edition of The Pulse: an artist survey. This collaborative project aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. For links to the sites of the participating artists, please click here.

Today's question: In a few words or a few sentences, how would you describe your artistic style? The following is the second of four posts to answer this question.


Leighanna Light Eclectic, odd, dark, a bit twisted. I hear people describe my work as whimsical a lot, but I don't see that.

Martha Marshall Controlled chaos. I like to work intuitively and put down layers of interesting surfaces and textures, usually confining them to a uniform square format, each one being its own universe. I know a piece is finished when it looks as if I didn’t participate in its creation. I achieve this by working on multiple pieces at a time, moving from one to another, never staying too long with one piece, in order to keep it spontaneous and keep my left brain from interfering with the process.

Teresa Abajo In a word, developing. I love working all sorts of different styles – jack of all styles, master of none. My goal is to have developed a personal style sometime before I die. I expect it’ll be an amalgamation of everything I’ve learned. It may not be ground breaking, but by George I’ll do it well!

Fran Meneley Eclectic. My “style” is constantly evolving. I also cross mediums quite a bit, but I can still see my “style”. Rather than “style” I think about it terms of my voice. What I’m after is being true to myself, my experience, my vision.

Steph Brouwers My artistic style could be described as archeology, ethnography. It is related to the idea of “Cabinet de curiosités”. It talks about roots, imaginary roots...It talks about the magic of childhood, the time when everything was possible. I use different media to express it: sculpture, jewelry, photography, painting, drawing.

not mass produced messy * eclectic * sometimes too prissy

Cynthia Gaub I would say that my fine art work always delves into the questions of being a woman. It has been called "Abstract Figurative", it has also been seen as feminist, is that a style? I like the female form, but on the whole I am not necessarily trying to make a feminist statement. Overall, when you include my collage, fiber work, dolls and mixed media sculpture, I would consider my style "Eclectic Gemini."

Terry Rafferty Realism, bordering on photorealism, but increasingly paying attention to the underlying abstraction within the forms.

Jennifer Gordon Um....I am pretty wordy so this is hard for me, but here goes. My work is mixed media collage based, heavily influenced by emotion and a sense of longing. Pieces are shrouded in metaphor and color to create visual poems.(not sure if that makes any sense to anyone but me)

Gwen Buchanan I would say my artistic style is experimental, primitive, intuitive, and instinctual.

Ingrid Dijkers I have been told that I have a very distinctive style, although I can't really categorize it myself. I feel it is ever changing and doesn't really fall into a specific style.

Angela Cartwright In a word…Unruly…It is happening when I am connected to the art…It’s where I am not second guessing myself, where I just know what element to use… it just flows…It’s breaking rules I didn’t even know were rules…I know I am in the zone when someone enters my studio and says hi and it makes me jump out of my skin.

Julie Prichard A purposeful mess.

Traci Huskamp My passion for mixed media and collage fuels the fires of my creative spirit, and continues to lead me on a wondrous journey of artistic and self-discovery. Always striving for the perfect balance and integration of elements and processes in every piece, I enjoy making art that is thoughtful, intricate, and beautiful.

Jen Bradford The content of my paintings changes pretty frequently, but has maintained several characteristics I guess one could call a "style". I build up many many layers, and move back and forth between building up and sanding, rubbing, scraping away - deciding what to preserve and what to let go. There is usually a tension between structure (defined shape, a grid, stencil, etc.) and chaos from experimenting.
Process shots - http://jenbradford.blogspot.com/2008/06/process-shots.html
Artist's statement: http://jenbradford.com/pages.php?content=statement.php&navGallID=Statement

Nina Bagley my artistic style? goodness, i'm never good at describing my own work. but here goes: i call what i do "narrative jewelry", because there is always a story in each and every piece. the combination of imagery with a few succinct words creates the beginning of an evocative tale that is different for each observer.

Kristy Christopherson I would have to say mostly grungy-at least lately. I love adding drips to my work lately :)

Gillian McMurry Frustrated. With my traditional painting, most of the time I have a picture in my head that I want to produce but it almost never turns out as I had hoped. I am highly critical of my work. My paintings are trying to be realistic but often verge on cute and contrived. With mixed media stuff it is a little different. If I make a mistake I can make it work for me. It is a slower and more relaxing experience. I don't think it really has a style though.

Teesha Moore Hmmm....that's a toughie. obsessive compulsive. More is more. stream of consciousness. Not self conscious.

Robyn Gordon In an exhibition invitation I was described as an artist/sculptor who produces intricately carved wooden wall pieces and totems, incorporating wire, beads and found objects. Inspired often by folklore, myth, tribal artefacts, patterns and symbols.

Cory Celaya Experimental, spontaneous, metamorphic, random, abstract with a bit of realism, spiritual, edgy...pick one, they all describe my work.

Denise Lombardozzi uncomplicated, thoughtful, narrative

Tuesday, August 19, 2008

The Pulse: Style File 1

Welcome to the third edition of The Pulse: an artist survey. This collaborative project aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. For links to the sites of the participating artists, please click here.


Today's question: In a few words or a few sentences, how would you describe your artistic style? The following is the first of four posts to answer this question.


Shona Cole Emotional, real life, personal. I aim to create a vision of my motherhood with words and images that inspires me to see the beauty in the everyday and to be a better mother/person.

Stephanie Hilvitz COLOR COLOR COLOR

Mary Buek I try to find interesting shapes, colors, textures in random natural occurrences. I try to incorporate that randomness in my abstract art.

Marissa O'Brien My artistic style....I love to incorporate nature in my jewelry. One of my favorite pieces was using a leaf from my garden. I am inspired by everyday beauty. With my altered art, I am inspired by vintage images.

Lisa Hoffman I call myself a “Creatarian” (not to be confused with an “Arian”). The moment a person labels their style, I believe that the word applies itself to a place in our subconscious, like a tattoo, whispering in our ear and subtly driving the bus. My art materializes in the form of visual journaling, recycled construction trash (that’s right, I said: Trash) serious sketching, non-serious sketching, canvases w/acrylic paint and stuff, signage, music, teaching, writing, blogging, installations, sometimes cooking and more. Is there a word for THAT? So...my style? Maybe “Pinball Avant Garde”? Tattoo THAT.

Barbara Kleinhans Over the past few years I have been working on a series of paintings that are minimalist interpretations of the Wisconsin countryside.

Vivian Bonder *messy* *connected* *colourful* *balanced*

azirca I would describe my artistic style as a creative collision of various elements and thoughts that fuse together to form multi-layered, 3-dimensional Azemblages (aka assemblages). My work is textural in both the visual and tactile sense, and hidden elements await to be discovered in many of my pieces.
Chris Miser Light, accessible, colorful, and often irreverent collage.

Lynne Hoppe Evolving

Cynjon Noah Easy...eclectic! I've had my works described by others as everything from cartoonish to tribal to surreal, and all are probably equally accurate.

Ro Bruhn Definitely eclectic, always colourful and constantly changing.

Debbie Mihalik EVOLVING - I don't know that I have developed a signature style yet and I am still experimenting with various mediums. I started with ATCs and decos, moved into altered books and collage. Currently I am pursuing digital collage and assemblage. I think that I need to put many more hours into one format in order to achieve a style that is mine. Right now I am still learning.

Debbie Overton Mostly it is vintage with touches of whimsy and humor, but this past year I was searching for a change so I began experimenting and I can see a unique art style change which I like and will be sharing soon.

Patty Szymkowicz This question is quite challenging to me and why is that I’m wondering??? Creating comes naturally, talking about my artistic style not so much. I actually asked my talented friend, Jean (thank you Jean!), http://bluebirdslivinginthemeadow.blogspot.com to help me find some words. In my work I trust my instincts as each piece speaks to me. I work intuitively often times out of an ethereal well-of-the-soul place…. it may be an image…. a color.....or sometimes it is a quote or word…. all flowing from places in my dreams.

Dawn Sokol I would say my journaling is doodly and whimsical. I like light colors such as pink, chartreuse green, and orange. I like to use photos of family in my work as well. Most of my pages are positive in tone.

Gail Pierce My current reply when queried about what kind of art work I do is to say: Abstract experimenting. My work has always leaned more toward abstract than anything else and everything I create starts out by experimenting with mediums and materials so I guess that’s my style.

Elis Cooke I would describe my artistic style as playful and open to chance interaction and occurrence.

Ingrid Dijkers I have been told that I have a very distinctive style, although I can't really categorize it myself. I feel it is ever changing and doesn't really fall into a specific style.

Suzan Buckner Diversified--My work is very diversified. I never know what I am going to do until I do it. I may do art journals one day, then abstracts, then drawings...it's always changing.

Harry Bell If I have to have a label, I'd settle for painter of modern representation, but feeding into that is a romantic streak that wants to make things what they aren't, or other than they may appear to be. I use light effects a lot to achieve that, and accidents in the paint or in a drawing are retained, especially if they suggest something that isn't what was there.

Andrew Borloz My artistic style tends to be bold, colorful, intense, and architectural.

Wednesday, August 13, 2008

The Pulse Goes Live: 08/18/08


What do Lisa Hoffman, Teesha Moore, Angela Cartwright, Julie Prichard, eb, Sarah Fishburn, &rew Borloz, Nina Bagley, azirca, Kelly Kilmer, Dawn Sokol, Ro Bruhn, Judy Wise, and Linda Woods have in common? They are just a few of the 80-plus artists (and counting) that are participating in The Pulse. Join The Altered Page on Monday August 18th for the third edition of The Pulse: an artist survey. This month long (!) project will introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals.

For this edition of The Pulse, I am considering creating and offering for sale a printed zine to present the results of the survey on paper. Think of it as The Altered Page on the altered page. I would like to gage interest in this idea before making the decision to move forward. If you think you might have any interest (with no obligation of course) in purchasing a zine based on this project, please leave a comment or send me an email. If you want to wait until you see what The Pulse has to offer before you decide, please come back to this email and comment after the postings have begun.

See you on Monday!

Sunday, August 10, 2008

one - won


Thank you all for sharing The Altered Page with me.

1 year. 4 seasons. 12 months. 205 posts. 365 days. 35,500+ hits. 5,25,600 minutes. 31,536,000 seconds. endless inspiration from countless friends.

Thanks to the 73 people who entered my giveaway and who left comments here. And congratulations to the following 3 winners, picked at random, each of whom will receive a package of art supplies and other treasures.





All three of you will receive a package loaded with "stuff" - paper, ephemera, art supplies, embellishments, and assorted bits and bobs and odds and ends. Please send me your addresses via email so I can mail out the stash.

Friday, August 8, 2008

Coming Attractions

Later this month I will begin posting the newest episode of The Pulse - our second artist survey of 2008. As a preview, and to whet your appetite, here is one of the seven questions included in the survey:

Where does the magic happen? Tell us about the studio, room, corner, desk, table, floor, or wall where you make art and show us one photograph which somehow captures your creative space or a work in progress.

Believe me when I tell you that you will be fascinated by the variety of answers and mesmerized by the photographs of the workspace and works in progress of these amazing artists.

_______________________________________________




As a preview of things to come, here is one more question and answer post from the first artist survey, originally posted On The Altered Page in January 2008. Click on the link below to find out where 35 artists spend their online time.

MY CURRENT GO-TO WEBSITE IS...

_______________________________________________

Finally, here is one more preview of a number of pages I have completed for several collaborations I am working on. I am only showing glimpses until the projects are complete. As always, click to enlarge.







Wednesday, August 6, 2008

Inspiration Wanted

Whenever I need a dose of inspiration, I just grab my camera and head to pretty much any neighborhood in NYC. Usually, all I need is one hour to find and document enough visual stimulation to last awhile -- well, at least a little while anyway. I find that when I am on an image safari, I tend to be very visually vigilant and look in unusual places and find details that I wouldn't typically see. Most of the following photos were taken in Union Square and the East Village, where I headed to fine tune some ideas I have for a new project. In seeing the color palette of the shots I took, I noticed that I seemed to be in a sepia and blue mood. Hope you find inspiration in these images too!

















Pictures #2 and #6 are details from the floor and the wall of a shop in the East Village called Mascot Studio. Owned by Peter McCaffrey, it is a cool, little shop that specializes in picture framing but is exciting to me because of the floor to ceiling mixed media works he showcases. Definitely worth a visit.

Thanks to those of you who offered via comments or emails to help out Anonymous who lost all her/his belongings in a fire (see this post for details). No word yet on anonymous' identity...but I remain hopeful! I will keep you posted.

Monday, August 4, 2008

Good Things Come in Threes

People who know me well know that when I have a passion for something, I throw myself into it fully. Some call it dedication. Some call it obsession. Either way, I am committed. Life for me is a marathon and not a sprint. Literally and figuratively. That certainly goes for The Altered Page as well. I am in it for the long haul. And in that regard, I am in the middle of a trifecta. A triple crown. A triathlon. A triple play. A threepeat.

What I mean to say is that there are three personal milestones I am in the midst of achieving on my blog. First, on August 10, The Altered Page will be one year old. Second, I just passed my 200th post. And third, at the end of July I surpassed 33,333 hits, as registered by my counter. Not knowing how things would unfold when I wrote my first post outlining my goals for The Altered Page, I am so pleased to say that I feel like I have met those original goals. And I have gotten so much more out of the blog than I could have ever predicted.

As a way to mark this moment in time, I am offering another giveaway. Three giveaways to three people to be exact. Please leave a comment on this post and on August 10, when The Altered Page turns 1, I will randomly chose three winners. Each will receive a hodgepodge of "stuff" - paper, ephemera, art supplies, embellishments, and assorted bits and bobs and odds and ends. This is one small way that I can say thanks to all of you who have become such an integral part of my life in art.

Also, in thinking about the occasion of one year blogging and 200 posts, I have been reviewing my blog and am listing here links to three of my favorite pieces/posts. For those who have found The Altered Page more recently and have not dug into earlier months, these might be new to you. Please check out Revolution, Fragile, La Facce di Italia, and Underground. Alright, I know that is four but aren't you suppose to light an extra candle on your birthday for good luck?